Thursday, July 15, 2004


"Fahrenheit 911"


Does It Bite?


A Munkebite Review



1 Out Of 5 Bites

Suffice it to say, if what you are expecting from “Fahrenheit 911” is a scathing expose based on all new, startling facts and information with (perchance) a prescription for genuine change, then go back to sleep.

If, on the other hand, you anticipate a self-important almost two hour long infomercial for the Democratic party, then it’s money well-spent. In classic Moore-ish “look-how-much- I-care” tactics as he preys and panders on people in real pain whilst bashing Republicans in man-on-the-street surprise confrontations, this could have easily been “Bowling For 911.” In this vein, he does succeed in making emotional drivel out of their world of hurts.

Moore is quickly establishing himself as the pseudo-independent voice of “reason” for the Democratic regime (at least by default) and is making quite a stash from it. The partisanship is so blatantly obvious that the only negative attention that Moore, a registered Democrat, gives to the Democrats are a few passing video shots of Sen. Tom Daschle voicing support for the war in Iraq. That’s really about it. Moore’s vitriolic and blinding bent toward Bush are revealed as he exposes Bush’s buffoonery, not the motivations (more than simple greed) behind his policy and the more meaty reasons for why Bush may be the “puppet” that he is. The movie relies more upon caricaturing Bush and his ilk to severe comic-book proportions that any substantive critiques beyond that are lost. This is simply because when he does approach substance, it is nothing new.

Perhaps some may find his presentation revolutionary if they are new to the "they-let-it-happen-on-purpose" tack that Moore approximates. If Moore were to fully and honestly account for all the available resources regarding 9-11, he would have to stumble across the evidentiary conclusion that “they-MADE-it-happen-on-purpose”.

Michael Moore is a rip-off artist here. Even the New York Post’s Richard Johnson in his Page Six column points it out. In fact, Alex Jones has been “out there” detailing the collusion between the Saudis and the Bush’s et al, and government foreknowledge regarding 9-11- albeit with much greater accuracy and for a lot longer time period. Jones indeed predicted the likes of 9-11 on-air in July of 2001. Moore makes big time dough on his flick while Jones practically gives away his documentary, “The Road To Tyranny,” allowing people to copy it and give it away in an attempt to educate the public.

Over two years ago, Jones interviewed David Schippers on his radio show who told the story of his interactions with Jayna Davis, an investigative reporter for an NBC affiliate in Oklahoma City (you might remember that Schippers, a prosecuting attorney from Chicago, was the Senate’s lead prosecutor in the impeachment case against William Jefferson Clinton). Davis had uncovered solid evidence of a Middle Eastern/Iraqi connection with the Oklahoma bombing case in 1995 and she has at least 12 signed affidavits to back her claims. Her discoveries led to her losing her position at the NBC affiliate there. She was coming across FBI field agents who were investigating leads into several Middle Eastern subjects who were admitting that there was a large attack being planned somewhere for Manhattan island, perhaps in 2001. However, these agents were turned off of their cases routinely by their supervisors anytime there was a chance to probe deeper. In essence, as she ran into barrier after barrier, she finally contacted Schippers and offered the mountain of evidence to him that pointed to the fact that if there would have been a thorough enough investigation into OK City then that would have pointed us toward the WTC calamity. Even as Schippers began to take up her cause- going all the way to Attorney General Ashcroft's office in July of 2001 and getting the runaround- his cries about the impending attack on Manhattan would also fall strangely upon deaf ears. But you can find this out on your own. Incidentally, Davis' book has been released this year.

Why didn’t Moore indicate any of this?

Because he would have us to think that this is all a war between the Democrats and Republicans….between the principled and the unprincipled. Between the politically supported haves and the oppressed have-nots. And he bases his premises off the fact that we’ll sink our teeth into the falsehood that there are real differences between these two parties. Any perceived differences are ultimately fiction and a necessary cog in the wheel of the Establishment, who are essentially funding and distributing this blather, ready for consumption by their useful vidiots.

So what possible alternatives does Moore offer in light of his bashing critique of the limp and dim-witted Bush and his handlers? What truly novel ideas does he lay before his audiences that will serve to eradicate the excesses portrayed? None. He speaks of none but to oust the present king. And the subtle alternative is a false one. The alternative Kerry/Edwards ticket is no less untouchably rich, no less concoctions of their big corporate sponsors who have them in their pockets. Is Moore to have us believe that they are no less beholden to the secret interests of these multi-national corporate conglomerations?

In fact, for the first time in our history, we have two presidential hopefuls who will square off who are both members of the elitist, occultic Skull and Bones from Yale. (For more info on Skull and Bones, check into Sutton, Milligan and others’ book Fleshing Out Skull and Bones). Their allegiances to Bones is so secretive that none can comment on it. Even Edwards’ performance at the secretive June Bilderburg meeting was touted by the NY Times as propelling him to the fore as the VP selection for Kerry. And if you’ve got a wild enough hair, dig around and ask why are some of our world leaders going to meet in secret from July 16th through August 1st in California at Bohemian Grove and why they do so yearly. It wasn’t until after the Grove meeting in 2000 that Cheney emerged as Bush’s VP. Why aren’t we privy to the goings on of these groups, if indeed policy decisions are being dreamt and made there? Why doesn’t Moore point these things out? Is secrecy and elitism germane only to the Republican party? Why doesn’t Moore continue to ask “why?” Why doesn’t he or won’t he go deep enough? Either he’s ignorant of the angles or he’s in collusion with the Establishment by negation or willful intent.

Moore’s film is a distraction from a truth that dangles right before our eyes. To say that we are given “sanctioned” forms of half-truths would be to intimate a deeper, darker more sinister causal relationship at work here. Are we, in our skepticism and laughable familiarity with conspiracy-theory kookism, hindered from going deeper because of the fear associated with being branded as such? Why is it so hard to accede to the fact the people/groups do indeed conspire against one another? Why is it a sham to point that out? Why can’t we sustain inquiry long enough to arrive at a freeing truth?

Michael Moore is not the one to point us in that way.
Quis custodiet ipsos custodies?







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